I’ve had the privilege of tasting some of Chianti’s “best” wines. Some of them cost more than 8 worker’s lunches here in the Lunigiana, just for a single bottle. People whose job it is to “present” this wine to the public usually extol their handling of the grapes and speak glowingly of the care they take with their little babies, all moist and ripe as they slide slowly down the chute on their way to becoming expensive libation. When their juices age a very long time these grapes become a wine that will undoubtedly be called “refined.”
But when it comes time to taste, your waiter may flick an imaginary piece of dust from an impeccably tailored sleeve, allow a precious dribble to fall into a glass, then stand back, smile and say something like, “good, eh?” when you touch the glass to your lips.
Yes, good. But not 7 times better than a decent bottle, I usually think.
But I’m not a wine writer, really. I look to other people to extol whatever virtues justify the cost. They say the same thing. “Good,” or “Mmmm,” then nod knowingly. I am thinking they are thinking the same thing I am thinking, something like “somebody please say something intelligent about this wine.”
But maybe not. Maybe we are just letting the wine speak for itself. It is refined. It speaks softly.
Walter De Battè is serious about the wines he makes out of vineyards that cling to the slopes above the five little villages given the name Le Cinque Terre. These wines are not “refined.” They speak boldly of things refined people don’t speak of in public. We tasted Walter’s wine with foods prepared by Cappun Magru restaurant in little Groppo, a bump on the winding road to the top of a ridge from which you get excellent views of the five little villages and the terraced hillsides the rain keeps washing away. Food expert, guide, B&B owner (Poggio Etrusco) and cookbook author (Cucina Povera) Pamela Sheldon Johns has invited us, and man, are we glad she did.
The first wine we taste is brilliantly colored, a deep gold with signs of murkiness. Walter thrusts his nose deep into the glass and describes the smell of rocks drying on the beach in the noonday sun. He talks of lichens and moss. It is the opposite of refined; we are shrouded heavily in the nature we desire to be engulfed in, at least in our dreams.
The wine he’s named Carlaz is unfiltered and unfined. Hence the murkiness and, above all, the intense flavors of the sea and earth, the terroir, as the French say, from which the grapes have developed their unique character.
It paired nicely with the dish the restaurant was named after, the Cappun Magru, a fisherman’s dish of fish, shellfish, a mariner’s biscuit, green sauce and earthy vegetables.
We had three other courses—and three other wines. I’m not going to wax poetic over them. Each was significantly different, like a novel which comes alive when you realize that each personality is different and distinct and equally compelling.
Why is Schiacchetrà wine so expense? Easy: It takes 45 pounds of fresh grapes to make 15 pounds of dried ones, from which the winemaker extracts a single bottle of Sciacchetrà. The wine should age for at least 6 years. Good vintages can age 10, 20, even 30 years. ~ David Downy – Wines of the Cinque Terre
I’ve put a picture of it over there to the right. Look at the color! This is no wall flower wine!
The perfect afternoon? A room that opens onto the vineyards of the Cinque Terre, letting in the light. A small group of good people unafraid of life, a man in jeans who knows wine. Good food. Wine that speaks volumes: of the air and the sea and the rocks and the hanging moss, earthy as all get out…
It’s almost pornographic, eh?